Part two, Finding Abdul Gani
Two years previously my kiwi travelling companion Mike had been camel
trekking through the desert with a consummate host and tour guide by
the name of Abdul Gani, and the second day was spent largely looking
for this man in Marrakesh. First of all, we tried his phone number –
retrieving an interesting message in Berber Arabic which, in the
manner of all telephone operators everywhere made it abundantly clear
that we needed to try another way of finding Abdul Gani. Next we tried
the hotel and library where he used to work. This we found purely by
good fortune, having navigated our way from the square by the
democratic system of taking turns to make random navigational
decisions in the colourful winding labyrinth of the Medina. After
another good Tagine on the rooftops, and a few more glasses of
Moroccan mint tea, we were told that Abdul Gani no longer worked here
and we digested this information slowly as we stretched out on the rug
covered couches, the twin speakers nailed to the wall accompanying
our musings with the twang of Bedouin guitar desert blues. When
inspiration struck we arose as one man and set off to find a taxi
driver. We had an address to work with, indecipherable to the western
eye but according to the tall young taxi driver it would be ‘facile’.
The difficult part would be agreeing the price. The most successful
age of piracy apparently took place in this region in the form of slave
corsairs raiding the Mediterranean coasts for Christian slaves for at
least three hundred years. Spirited back to Marrakesh these hapless
Italians, Spanish, Italian and English slaves were sold on the block
and sent off into the deserts to a destiny lost to history. This
magnificent outrage was only brought to an end by a certain Lord
Exmouth in 1861, who fired 50,000 cannonballs into the city of
Tangiers (I think he was somewhat displeased). This may have been a
set back but I am pleased to report that one hundred and fifty years
later the descendants of these former pirates are doing well. They are
taxi drivers, and as far as I can see the true Golden age of Piracy in
this region is only just beginning. Having said that, after a good
hour of bad directions, U-turns, spiral driving patterns and quiet
French swearing I did begin to pity our young pirate as struggled to
find Abdul Gani in the strangely understated suburbs of Marrakesh,
where not a single roadway bore a sign or street name of any
description. At last we had a breakthrough, and we were standing
outside his door preparing to explain ourselves. This was answered by
a smiling young man in a tracksuit, who touched his hand on his heart
in the warm manner of all Moroccan men in greeting us and declared
that he was Abdul’s nephew and knew where to find him. Two hours later
we were tucking into Moroccan salads at the same hotel, knees to knees
at a small table with our tour guide, artist, musician, and soon to be
friend – Abdul Gani.
In our conversation that night the topic of Moroccan music came up and
I was fascinated to hear of the colourful variety and vibrant
traditions of Gnawa mystical desert music, Rai, Chaabi and underground
Muslim pop. The guy Cheb Mami who sung with Sting on the hit ‘Desert
Rose’ apparently is not Moroccan as I thought, but Algerian. Check out
this gentleman Dawdi:
Kenny



